SAN DIEGO'S PREMIER FLUTE ORGANIZATION
Hailed "Queen of the Flute" (New York Magazine) at the outset of her, now, brilliant 48 year career, flutist CAROL WINCENC was First Prize Winner of the (sole) Walter W. Naumburg Solo Flute Competition, as well as the Lifetime Achievement Award recipient from the National Flute Association, the National Society of Arts and Letters Gold Medal for Lifetime Achievement in Music, and Distinguished Alumni Awards from Manhattan School of Music and the Brevard Music Center. During the past two seasons she performed, recorded and gave masterclasses as an exclusive Burkart Flutes Artist in Beijing, Shenyang, Seoul, Warsaw, Prague, Venice, Nice, and Thessoloniki. In North America she performed as soloist and chamber musician from coast to coast, including Seattle, Phoenix, Dallas, Edmonton, Banff, Iowa City, Minneapolis, New Orleans, Tucson, Palm Beach, Sarasota, Philadelphia, Boston and her home city, New York. Recently she recorded an all Uebayashi album with the award winning Escher String Quartet, and video/audios in partnership with her collaborator/pianist Bryan Wagorn of the Metropolitan Opera. Most recently she and Mr. Wagorn performed to a sold out house at Weill Carnegie Hall for the "Naumburg Looks Back" series.
Delighting audiences for over four decades with her signature charismatic, high virtuosity and deeply heartfelt musicality, she has appeared as soloist with such ensembles as the Chicago, San Francisco, Pittsburgh, Detroit and London Symphonies, the BBC, Warsaw and Buffalo Philharmonics, as well as the Los Angeles, Stuttgart and Saint Paul Chamber Orchestras, the latter for which she was Principal and Solo Flute from 1972-77. She has performed in countless festivals such as Mostly Mozart, Aldeburgh, Budapest, Frankfurt, Santa Fe, Spoleto, Music at Menlo, Aspen, Yale/Norfolk, Sarasota, Banff and Marlboro. The muse of today's most prominent composers, Ms. Wincenc has premiered numerous works written for her by legends Christopher Rouse, Henryk Gorecki, Lukas Foss, Jake Heggie, Paul Schoenfeld, Tod Machover, Yuko Uebayashi, Thea Musgrave, Andrea Clearfield, Shi-Hui Chen and Joan Tower. In great demand as a chamber musician, Ms. Wincenc has collaborated with the Emerson, Tokyo, Guarnieri, Cleveland, Juilliard and Escher String Quartets, and performed with Jessye Norman, Emanuel Ax and Yo-Yo Ma.
A Grammy nominee, she has recorded for Nonesuch, London/Decca, Deutsche Grammophon, Telarc (Diapason D'Or Award), Music Masters (Recording of Special Merit with Andras Schiff) and Naxos (Grammophone Magazine "Pick of the Month with Buffalo Philharmonic). Ms. Wincenc created and directed a series of International Flute Festivals at the Ordway Theater in St. Paul, Minnesota, featuring such diverse artists as Jean-Pierre Rampal, Herbie Mann, Steven Kujala and the American Indian flutist, R. Carlos Nakai. She had the privilege of working directly with legendary music luminaries Aaron Copland, Olivier Messaien, Rudolf Serkin, Joshua Bell, Christophe Eschenbach, Loren Maazel, Michael Tilson Thomas, Philip Glass, Andre Previn, Paul Simon and Judy Collins, to name a few!
She is a member of the New York Woodwind Quintet and a founding member of Les Amies with New York Philharmonic principals Nancy Allen, harpist and Cynthia Phelps, violist. Ms. Wincenc continues more than a quarter of a century on the faculties of The Juilliard School and Stony Brook University having mentored and graduated countless rising, flute stars commanding principal flute positions in major symphony orchestras and university professorships. She is renowned for her popular series of etudes and flute classics, the "Carol Wincenc 21st Century Flute" published by Lauren Keiser/Hal Leonard Music Publishers (available on 'Amazon'). A long time resident of New York City, she resides with her singer/songwriter son, Nicola Wincenc (Cavernsband.com). Carol Wincenc is a native of Buffalo, NY, and was raised in a deeply active, musical family, along with her two older sisters, and under the mentorship of her violinist father and symphony conductor, Dr. Joseph Wincenc, and pianist mother, Margaret Wincenc. Having concertized on five continents, Ms. Wincenc loves nothing more than "giving back" with her music-making to communities world wide.
For more on Carol, please visit her website.
Since her first international tour as a soloist with the Bolivia National Orchestra at the age of seventeen, Dr. Makiko Hirata has performed in twelve countries in North and South America, Europe and her native Japan. She loves sharing her music not just through performances but also as a pedagogue, recording artist, lecturer, and writer. As a consultant at the Center for Performing Arts Medicine at the Houston Methodist Hospital, she works with scientists to establish concrete data on how music is beneficial to us neurologically. She is also on a mission to find ways to promote world peace through her musical activity. As a part of her effort, she has accepted her nomination as a delegate to the US-Japan Leadership Program, the flagship program of the United States-Japan Foundation. She has a Doctorate in Musical Arts degree from Rice University.
Dr. Hirata has given recitals, lecture recitals, concerto performances and children’s concerts in North and South America, Europe and her native Japan in venues such as Weill Recital Hall at Carnegie Hall, Lincoln Center, Coolidge Auditorium in the Library of Congress, and Tanglewood. She has collaborated with distinguished groups and musicians such as the Jupiter Symphony Orchestra and Spectrum Symphony in NYC, the Pecs Hungarian Symphony Orchestra, Polish Philharmonia of Resovia, conductor Leon Fleisher, clarinetist David Krakauer, and pianist Sara Davis Buechner.
Passionate about sharing music not just through performances, she has also taught at New York University, Colburn Conservatory of Music, Rice University, and Lone Star College. She has appeared on TV and radio programs both, and produced “Poco Piano” – a YouTube series of introductory talks about music.
Wilfrido Terrazas (Camargo, 1974) is a Mexican flutist active since the early 1990s, whose career spans performance, commissioning, collaboration, improvisation, composition and pedagogy. His recent work has been focused on finding points of convergence between notated and improvised music, and in exploring innovative approaches to collaboration and collective creation. He is a founding member of the Mexico City-based improvisation collective Generación Espontánea since 2006. As an interpreter, Wilfrido has performed over 300 world premieres, and has been a member of Liminar ensemble since 2012. As a composer, his main interest is the exploration of dialogues between composition, improvisation and performance. As such, he has written over 40 works for diverse instrumental forces. Other current projects include Filera, Escudo (Torre), and the Wilfrido Terrazas Sea Quintet. Since 2014, Wilfrido has been co-curator of La Semana de Improvisación La Covacha, a week-long festival dedicated to improvised music in Ensenada.
Wilfrido has been a committed educator since his adolescence. Prior to his appointment at UCSD, he taught at the Conservatorio de las Rosas in Morelia and at the Escuela Superior de Música in Mexico City. He is also in demand as a coach and workshop leader throughout Mexico.
Wilfrido has given concerts and participated in projects in Argentina, Austria, Belgium, France, Germany, Greece, Italy, The Netherlands, Portugal, Spain, Sweden, United Kingdom, United States, Venezuela, and in over 40 cities in his native country. He has obtained support from the National Fund for the Arts and Culture of Mexico (FONCA) and several other Mexican institutions, has been an artist in residence at Omi International Arts Center, Atlantic Center for the Arts and Ionion Center for the Arts and Culture; and participated in the recording of more than 30 albums, three of them as a soloist: Open Cages (Umor, 2007), Bóreas (Shival/CONARTE 2010) and Bug/ge/d (Mandorla, 2010). Among his long time collaborators are composers Ignacio Baca Lobera, Thanos Chrysakis, Edgar Guzmán, Nickos Harizanos, Iván Naranjo, Mauricio Rodríguez and Carlos Sandoval; cellist Natalia Pérez Turner, vocalist Carmina Escobar, multimedia artist Yair López and poets Nuria Manzur and Ronnie Yates. Recent collaborations include recording with Roscoe Mitchell and playing with Andrew Drury, Vinny Golia, Stephanie Griffin, Katt Hernandez, Anne La Berge, Wade Matthews, Mary Oliver and Stephanie Richards.
Wilfrido Terrazas studied music initially in Baja California and California. He later graduated from the Conservatorio de las Rosas. Among his most influential teachers are Damian Bursill-Hall, John Fonville, Roscoe Mitchell, Guillermo Portillo and Germán Romero.
We are so grateful that Wilfrido will be volunteering his time to us at our festival, as we welcome him into our San Diego Community!